Olympos t-2 Page 4

  The hundreds of Trojans looked at their leader, looked over at fleet-footed mankilling Achilles, looked a final time at the funeral pyre where the woman’s corpse had been all but consumed by the flames, and they gave way. Menelaus could feel the fighting spirit slide out of the mobs surrounding them, could see the confusion on the tanned Trojan faces.

  Odysseus led the Achaeans toward the Scaean Gates. Menelaus and the other men lowered their swords but did not sheath them. The Trojans parted like a reluctant but still-blood-hungry sea before them.

  “By the gods …” whispered Philoctetes from the center of their circle as they went out through the gates and past more ranks of Trojans, “I swear to you that…”

  “Shut the fuck up, old man,” said powerful Diomedes. “You say one more word before we’re back to the black ships, I’ll kill you myself.”

  Beyond the Achaean pickets, past the defensive trenches and beneath the moravec forceshields, there was confusion along the coast even though the encampments there couldn’t have heard about the near disaster in the city of Troy. Menelaus broke away from the others and ran down to the beach.

  “The King has returned!” cried a spearman, running past Menelaus and wildly blowing a conch shell. “The commander has returned.”

  Not Agamemnon, thought Menelaus. He won’t be back for at least another month. Perhaps two.

  But it was his brother, standing at the prow of the largest of the thirty black ships in his small fleet. His golden armor flashed as the rowers drove the long, thin craft through the surf and in toward the beach.

  Menelaus waded into the waves until the water covered the bronze greaves protecting his shins. “Brother!” he cried, waving his arms over his head like a boy. “What news is there from home? Where are the new warriors you swore to return with?”

  Still sixty or seventy feet out from shore, water splashing about the bow of his black ship as it surfed in on the long, great swell, Agamemnon covered his eyes as if the afternoon sun hurt them and shouted back, “Gone, fellow son of Atreus. All are gone!”

  5

  The corpse fire will burn all through the night.

  Thomas Hockenberry, B.A. in English from Wabash College, M.A. and Ph.D. from Yale in classical studies, formerly on the faculty of Indiana University—in truth, head of the classics department there until he died of cancer in A.D. 2006—and most recently, for ten years of the ten years and eight months since his resurrection, Homeric scholic for the Olympian gods, whose duties during that time included reporting daily and verbally to his Muse, Melete by name, on the progress of the Trojan War and how the tale was following or diverging from Homer’s Iliad—the gods, it turns out, are as preliterate as three-year-olds—leaves the city square and Paris’s flaming pyre shortly before dusk and climbs the second-tallest tower in Troy, damaged and dangerous though it is, to eat his bread and cheese and drink his wine in peace. In Hockenberry’s opinion, it’s been a long, weird day.

  The tower he frequently chooses for solitude is closer to the Scaean Gate than to the center of the city near Priam’s palace, but it’s not on the main thoroughfare and most of the warehouses at its base are empty these days. Officially, the tower—one of the tallest in Ilium before the war, almost fourteen stories tall by Twentieth Century reckoning and shaped like a poppy reed or a minaret with a bulbous swelling near its top—is closed to the public. A bomb from the gods in the early weeks of the current war blasted off the top three floors and diagonally shattered the bulb, leaving the small rooms near the top open to the air. The main shaft of the tower shows alarming cracks and the narrow spiral staircase is littered with masonry, plaster, and dislodged stones. It took hours for Hockenberry to clear the way to the eleventh-floor bulb during his first venture up the tower two months earlier. The moravecs—at Hector’s direction—have placed orange plastic tape across the entrances, warning people in graphic pictograms what harm they could come to—the tower itself could tumble over at any time according to the most alarming of the graphic images—and other symbols command them to stay out upon penalty of King Priam’s wrath.

  The looters had then emptied the place within seventy-two hours, and after that the locals did stay out—for what use was an empty building? Now Hockenberry slips between the bands of tape, clicks on his flashlight, and begins his long ascent with little worry about being arrested or robbed or interrupted here. He’s armed with a knife and short sword. Besides, he’s well known: Thomas Hockenberry, son of Duane, occasional friend… well, no, not friend, but interlocutor at least… of both Achilles and Hector, not to mention a public figure now with more than passing acquaintance with both the moravecs and rockvecs… so there are very few Greeks or Trojans who will move to harm him without thinking twice.

  But the gods, now… well, that’s another matter.

  Hockenberry is panting by the third floor, actively wheezing and stopping to catch his breath by the tenth, and making noises like the 1947 Packard his father had once owned by the time he reaches the shattered eleventh floor. He’s spent more than ten years watching these human demigods—Greek and Trojan alike—warring and feasting and loving and debauching like muscular ads for the most successful health club in the world, not to mention the gods, male and female, who are walking advertisements for the best health club in the universe, but Thomas Hockenberry, Ph.D., has never found time to get himself in shape. Typical, he thinks.

  The stairway winds tightly up through the center of the circular building. There are no doorways and some evening light comes into the central stairwell through windows in the tiny, pie-shaped rooms on either side, but the ascent is still dark. He uses the flashlight to make sure that the stairs are where they should be and that no new debris has tumbled into the stairwell. At least the walls are clean of graffiti—one of the many blessings of a totally illiterate populace, thinks Professor Thomas Hockenberry.

  As always when he reaches his little niche on what is now the top floor, long since swept clear of debris and the worst of the plaster dust by him but open to rain and wind, he decides that the climb has been worth the effort.

  Hockenberry sits on his favorite block of stone, sets down his pack, puts away his flashlight—loaned to him months ago by one of the moravecs—and pulls out his small wrapped package of fresh bread and stale cheese. He also digs out his wineskin. Sitting there, feeling the evening breeze coming off the sea stir his new beard and long hair, idly cutting off chunks of cheese and slicing the slab of bread with his combat knife, Hockenberry gazes out at the view and lets the tension of the day seep out of him.

  The view is a good one. Sweeping almost three hundred degrees, blocked from being circular by just a shard of wall left standing behind him, the view allows Hockenberry to see most of the city beneath him—Paris’s funeral pyre just a few blocks east and seeming to be almost directly beneath him from this height—and the city walls all around, their torches and bonfires just being lighted, and the Achaean encampment strung out north and south along the coast for miles, the lights of the hundreds upon hundreds of cooking fires reminding Hockenberry of a view he’d once glimpsed from an aircraft descending above Lake Shore Drive in Chicago after dark, the lakefront bejeweled with its shifting necklace of headlights and countless lighted apartment buildings. And now, just visible against the wine-dark sea, are the thirty or so black ships just returned with Agamemnon, the long boats mostly still bobbing at anchor rather than pulled up on the beach. Agamemnon’s camp—all but empty the last month and a half—is ablaze with fires and blurred with motion this evening.

  The skies are not empty here. To the northeast, the last of the space-warp holes, Brane Holes, whatever they are—people have just called the remaining one the Hole for the last six months—cuts a disk out of the Trojan sky as it connects the plains of Ilium to the ocean of Mars. Brown Asia Minor soil leads directly to red Martian dust without so much as a crack in the earth to separate the two. It’s a bit earlier in the evening on Mars, and a red twilight lingers there, out
lining the Hole against the darker old-Earth sky here.

  Navigation lights blink red and green on a score of moravec hornets flying night patrol above the Hole, over the city, circling out over the sea, and prowling as far away as the dimly glimpsed shadows that are the wooded peaks of Mount Ida to the east.

  Even though the sun has just set—early on this winter’s night—the streets of Troy are open for business. The last traders in the marketplace near Priam’s palace have folded away their awnings and are trundling their wares away in carts—Hockenberry can hear the creaking wooden wheels over the wind even at this height—but the adjoining streets, filled with brothels and restaurants and bathhouses and more brothels, are coming alive, filling with jostling forms and flickering torches. As is the Trojan custom, every major intersection in the city, as well as every turn and angle on the broad walls around the city, are lighted every evening by huge bronze braziers in which oil or wood fires are kept burning all through the night, and the last of these are now being lighted by watchmen. Hockenberry can see dark forms pressing close to warm themselves around each of these fires.

  Around all but one. In Ilium’s main square, Paris’s funeral pyre outshines all the other fires in and around the city, but only one dark form presses close to it as if for warmth—Hector, moaning aloud, weeping, calling to his soldiers and servants and slaves to pour more wood onto the howling flames while he uses a large, two-handed cup to dip wine from a golden bowl, constantly pouring it onto the ground near the pyre until the earth there is so drenched it looks to be oozing blood.

  Hockenberry is just finishing his dinner when he hears the footsteps coming up the spiral staircase.

  Suddenly his heart is pounding and he can taste the fear in his mouth. Someone has followed him up here—there can be little doubt. The tread on the steps is too light—as if the person climbing the stairs is trying to move stealthily.

  Maybe it’s some woman scavenging, thinks Hockenberry, but even as the hope rises, it’s dashed; he can hear a faint metallic echo in the stairwell, as of bronze armor rattling. Besides, he knows, the women in Troy can be more deadly than most men he’d known in his Twentieth and Twenty-first century world.

  Hockenberry rises as quietly as he can, sets the wineskin and bread and cheese aside, sheaths his knife, silently draws his sword, and steps back toward the only standing wall. The wind rises and rustles his red cape as he conceals the sword under its folds.

  My QT medallion. He uses his left hand to touch the small quantum teleportation device where it hangs against his chest under his tunic. Why did I think I had nothing valuable with me? Even if I can’t use this any longer without being detected and pursued by the gods, it’s unique. Invaluable. Hockenberry pulls out the flashlight and holds it extended the way he used to aim his taser baton when he owned one. He wishes he had one now.

  It occurs to him that it might be a god climbing the last of the eleven flights of steps just below him. The Masters of Olympos had been known to sneak into Ilium disguised as mortals. The gods certainly had reason enough to kill him and to take back their QT medallion.

  The climbing figure comes up the last few stairs and steps into the open. Hockenberry flicks on the flashlight, shining the beam full on the figure.

  It is a small and only vaguely humanoid form—its knees are backward, its arms are articulated wrong, its hands are interchangeable, and it has no face as such—barely a meter tall, sheathed in dark plastic and gray-black-and-red metal.

  “Mahnmut,” Hockenberry says in relief. He shifts the circle of the flashlight beam away from the little Europan moravec’s vision plate.

  “You carrying a sword under that cape,” asks Mahnmut in English, “or are you just happy to see me?”

  It’s been Hockenberry’s habit to carry some fuel in his backpack for a small fire when he’s up here. In recent months, this has often meant dried cow chips, but tonight he’s brought plenty of sweet-smelling kindling sold everywhere on the black market today by those woodcutters who had brought back the wood for Paris’s pyre. Now Hockenberry has the little fire going while he and Mahnmut sit on blocks of stone on opposite sides of it. The wind is chill and Hockenberry, at least, is glad for the fire.

  “I haven’t seen you around for a few days,” he says to the little moravec. Hockenberry notices how the flames reflect off Mahnmut’s shiny plastic vision plate.

  “I’ve been up at Phobos.”

  It takes Hockenberry a few seconds to remember that Phobos is one of the moons of Mars. The closer one, he thinks. Or maybe the smaller one. At any rate, a moon. He turns his head to see the huge Hole a few miles to the northeast of Troy: it’s now night on Mars as well—the disk of the Hole is only barely visible against the night sky, and that is only because the stars look slightly different there, more brilliant, or clustered more tightly together, or maybe both. Neither of the Martian moons is visible.

  “Anything interesting happen today while I was gone?” asks Mahnmut.

  Hockenberry has to chuckle at that. He tells the moravec about the morning funeral services and Oenone’s self-immolation.

  “Whoa, doggies,” says Mahnmut. The ex-scholic can only assume that the moravec deliberately uses idiomatic English he thinks is specific to the era Hockenberry had lived through on his Earth. Sometimes it works; sometimes, like now, it’s laughable.

  “I don’t remember from the Iliad that Paris had an earlier wife,” continues Mahnmut.

  “I don’t think it’s mentioned in the Iliad.” Hockenberry tries to remember if he’d ever taught that fact. He doesn’t think so.

  “That must have been pretty dramatic to watch.”

  “Yes,” says Hockenberry, “but her accusations about Philoctetes really killing Paris were even more dramatic.”

  “Philoctetes?” Mahnmut cocks his head in a way that seemed almost canine to Hockenberry. For whatever reason, he’s come to associate that movement with the idea that Mahnmut is accessing memory banks. “From the play by Sophocles?” asks Mahnmut after a second.

  “Yeah. He was the original commander of the Thessalians from Methone.”

  “I don’t remember him from the Iliad,” says Mahnmut. “And I don’t think I’ve met him here either.”

  Hockenberry shakes his head. “Agamemnon and Odysseus dumped him on the isle of Lemnos years ago, on their way here.”

  “Why’d they do that?” Mahnmut’s voice, so human in timbre, sounds interested.

  “Because he smelled bad, mostly.”

  “Smelled bad? Most of these human heroes smell bad.”

  Hockenberry has to blink at that. He remembers thinking just that ten years ago, when he’d first started as a scholic here shortly after his resurrection on Olympos. But somehow he hadn’t noticed it after the first six months or so. Did he smell bad? he wonders. He says, “Philoctetes smelled especially bad because of his suppurating wound.”

  “Wound?”

  “Snakebite. Bitten by a poisonous snake when he… well, it’s a long story. The usual ‘stealing stuff from the gods’ story. But Philoctetes’ foot and leg got so bad that it just poured pus, smelled bad all the time, and sent the archer into screaming and fainting fits at regular intervals. This was on the boat ride here to Troy ten years ago, remember. So finally Agamemnon, on Odysseus’ advice, just dumped the old man on the island of Lemnos and literally left him to rot there.”

  “But he survived?” says Mahnmut.

  “Obviously. Probably because the gods kept him alive for some reason, but he was in agony with that rotting foot and leg the whole time.”

  Mahmut cocks his head again. “All right… I’m remembering the Sophocles play now. Odysseus went to get him when the seer Helenus told the Greeks that they wouldn’t defeat Troy without Philoctetes’ bow—given to him by… who?… Heracles. Hercules.”

  “Yes, he inherited the bow,” says Hockenberry.

  “I don’t remember Odysseus going to fetch him. In real life, I mean. During the past eight months.�
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  Hockenberry shakes his head again. “It was very quietly done. Odysseus was gone for only about three weeks and no one made a big deal about it. When he returned, it was sort of like… oh, yeah, I picked up Philoctetes on my way back from getting the wine.”

  “In Sophocles’ play,” says Mahnmut, “Achilles’ son, Neoptolemus, was a central figure. But he never met his father when Achilles was alive. Don’t tell me he’s here too?”

  “Not that I know of,” says Hockenberry. “Just Philoctetes. And his bow.”

  “And now Oenone’s accused him rather than Apollo of killing Paris.”

  “Yep.” Hockenberry tosses a few more sticks on the fire. Sparks spin in the wind and rise toward the stars. There is blackness out over the ocean where clouds are moving in. Hockenberry guesses that it might rain before morning. Some nights, he sleeps up here—using his pack as a pillow and his cape for a blanket—but not tonight.

  “But how could Philoctetes shift into Slow Time?” asks Mahnmut. The moravec rises and walks to the broken edge of the platform in the dark, evidently having no fear of the hundred-foot-plus drop. “The nanotechnology that allows that shift was only injected into Paris before that single combat, right?”

  “You should know,” says Hockenberry. “You moravecs are the ones who injected Paris with the nanothingees so that he could fight the god.”

  Mahnmut walks back to the fire but remains standing. He holds out his hands as if to warm them by the flames. Maybe he is warming them, thinks Hockenberry. He knows that parts of moravecs are organic.

  “Some of the other heroes—Diomedes, for example—still have Slow-Time nanoclusters left in their systems from when Athena or one of the other gods injected them,” says Mahnmut. “But you’re right, only Paris had them updated ten days ago for the single combat with Apollo.”

  “And Philoctetes wasn’t here for the last ten years,” says Hockenberry. “So it doesn’t make any sense that one of the gods would have accelerated him with the Slow-Time nanomemes. And it is acceleration, not a slowing down of time, right?”