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Olympos Page 6


  He walks back to the fire and stands looming over the little moravec. “Why the hell are you telling me this?”

  “We’re inviting you to go with us,” says Mahnmut.

  Hockenberry sits down heavily. After a minute he is able to say, “Why, for God’s sake? What possible use could I be to you on such an expedition?”

  Mahnmut shrugs in a most human fashion. “You’re from that world,” he says simply. “If not that time. There are humans on this other Earth, you know.”

  “There are?” Hockenberry hears how stunned and stupid his own voice sounds. He’d never thought to ask.

  “Yes. Not many—most of the humans appear to have evolved into some sort of post-human status and moved off the planet into orbital ring cities more than fourteen hundred years ago—but our observations suggest that there are a few hundred thousand old-style human beings left.”

  “Old-style human beings,” repeats Hockenberry, not even trying not to sound stunned. “Like me.”

  “Exactly,” says Mahnmut. He stands, his vision plate barely coming up to Hockenberry’s belt. Never a tall man, Hockenberry suddenly realizes how the Olympian gods must feel around ordinary mortals. “We think you should come with us. You could be of tremendous help when we meet and talk to the humans on your future Earth.”

  “Jesus Christ,” repeats Hockenberry. He walks to the edge again, realizes again how easy it would be to take one more step off this edge into the darkness. This time the gods wouldn’t resurrect him. “Jesus Christ,” he says yet again.

  Hockenberry can see the shadowy figure of Hector at Paris’s funeral pyre, still pouring wine into the earth, still ordering men to pile more firewood into the flames.

  I killed Paris, thinks Hockenberry. I’ve killed every man, woman, child, and god who’s died since I morphed into the form of Athena and kidnapped Patroclus—pretending to kill him—in order to provoke Achilles into attacking the gods. Hockenberry suddenly laughs bitterly, not embarrassed that the little machine-person behind him will think he’s lost his mind. I have lost my mind. This is nuts. Part of the reason I haven’t jumped off this fucking ledge before tonight is that it would feel like a dereliction of duty…like I need to keep observing, as if I’m still a scholic reporting to the Muse who reports to the gods. I’ve absolutely lost my mind. He feels, not for the first or fiftieth time, like sobbing.

  “Will you go with us to Earth, Dr. Hockenberry?” Mahnmut asks softly.

  “Yeah, sure, shit, why not? When?”

  “How about right now?” says the little moravec.

  The hornet must have been hovering silently hundreds of feet above them but with its navigation lights off. Now the black and barbed machine swoops down out of the darkness with such suddenness that Hockenberry almost falls off the edge of the building.

  An especially strong gust of wind helps him keep his balance and he steps back from the edge just as a staircase ramp hums down from the belly of the hornet and clunks on stone. Hockenberry can see a red glow from inside the ship.

  “After you,” says Mahnmut.

  6

  It was just after sunrise and Zeus was alone in the Great Hall of the Gods when his wife, Hera, came in leading a dog on a golden leash.

  “Is that the one?” asked the Lord of the Gods from where he sat brooding on his golden throne.

  “It is,” said Hera. She slipped the leash off the dog. It sat.

  “Call for your son,” said Zeus.

  “Which son?”

  “The great artificer. The one who lusts after Athena so much that he humped her thigh just as this dog would if the dog had no manners.”

  Hera turned to go. The dog started to follow her.

  “Leave the dog,” said Zeus.

  Hera motioned the dog to stay and it stayed.

  The dog was large, gray, short-haired, and sleek, with mild brown eyes that somehow managed to look both stupid and cunning. It began to pace and its claws made scraping sounds on the marble as it wandered back and forth around Zeus’s gold throne. It sniffed the sandals and bare toes of the Lord of Lightning, the Son of Kronos. Then it claw-clicked its way to the edge of the huge holovision pool, peered in, saw nothing that interested it in the dark videoswirl of the surface static, lost interest, and wandered toward a pillar many yards away.

  “Come here!” ordered Zeus.

  The dog looked back at Zeus, then looked away. It began to sniff at the base of the huge white pillar in a preparatory way.

  Zeus whistled.

  The dog’s head came up and around, its ears shifted, but it did not come.

  Zeus whistled again and clapped his hands.

  The gray dog came quickly then, running in a rocking motion, tongue lolling, eyes happy.

  Zeus stepped down from his throne and petted the animal. Then he pulled a blade from his robes and cut off the dog’s head with a single swing of his massive arm. The dog’s head rolled almost to the edge of the vision pool while the body dropped straight to the marble, forelegs stretched ahead of it as if it had been ordered to lie down and was complying in hopes of getting a treat.

  Hera and Hephaestus entered the Great Hall and approached across acres of marble.

  “Playing with the pets again, My Lord?” asked Hera when she drew near.

  Zeus waved his hand as if dismissing her, sheathed the blade in the sleeve of his robe, and returned to his throne.

  Hephaestus was dwarfish and stocky as gods go, a little under six feet tall. He most resembled a great, hairy barrel. The god of fire was also lame and dragged his left leg along as if it were a dead thing, which it was. He had wild hair, an even wilder beard that seemed to merge with the hair on his chest, and red-rimmed eyes that were always darting to and fro. He seemed to be wearing armor, but closer inspection showed the armor to be a solid covering made up from hundreds of tiny boxes and pouches and tools and devices—some forged of precious metal, some shaped of base metal, some tooled of leather, some seemingly woven of hair—all hanging from straps and belts that crisscrossed his hairy body. The ultimate metalworker, Hephaestus was famous on Olympos for once having created women made of gold, young clockwork virgins, who could move and smile and give men pleasure almost as if they were alive. It was said that from his alchemic vats he had also fashioned the first woman—Pandora.

  “Welcome, artificer,” boomed Zeus. “I would have summoned you sooner but we had no tin pots or toy shields to repair.”

  Hephaestus knelt by the dog’s headless body. “You needn’t have done this,” he muttered. “No need. No need at all.”

  “It irritated me.” Zeus raised a goblet from the arm of his golden throne and drank deeply.

  Hephaestus rolled the headless body on its side, ran his blunt hand along its rib cage as if offering to scratch the dead dog’s belly, and pressed. A panel of flesh and hair popped open. The god of fire reached into the dog’s gut and removed a clear bag filled with scraps of meat and other things. Hephaestus pulled a sliver of wet, pink flesh from the gutbag.

  “Dionysos,” he said.

  “My son,” said Zeus. He rubbed his temples as if weary of all this.

  “Shall I deliver this scrap to the Healer and the vats, O Son of Kronos?” asked the god of fire.

  “No. We shall have one of our kind eat it so that my son may be re-born according to his wishes. Such Communion is painful for the host, but perhaps that will teach the gods and goddesses here on Olympos to take better care when watching out for my children. “

  Zeus looked down at Hera, who had come closer and was now sitting on the second stone step of his throne with her right arm laid affectionately along his leg, her white hand touching his knee.

  “No, my husband,” she said softly. “Please.”

  Zeus smiled. “You choose then, wife.”

  Without hesitation, Hera said, “Aphrodite. She’s used to stuffing parts of men into her mouth.”

  Zeus shook his head. “Not Aphrodite. She has done nothing since she herself wa
s in the vats to incur my displeasure. Shouldn’t it be Pallas Athena, the immortal who brought this war with the mortals down on us with her intemperate murder of Achilles’ beloved Patroclus? And of the infant son of Hector?”

  Hera pulled her arm back. “Athena denies that she did these things, Son of Kronos. And the mortals say that Aphrodite was with Athena when they slaughtered Hector’s babe.”

  “We have the vision-pool image of the murder of Patroclus, wife. Do you want me to play it again for you?” Zeus’s voice, so low it resembled distant thunder even when he whispered, now showed signs of growing anger. The effect was of a storm moving into the echoing Hall of the Gods.

  “No, Lord,” said Hera. “But you know that Athena insists that it was the missing scholic, Hockenberry, who must have assumed her form and done these things. She swears upon her love for you that…”

  Zeus stood impatiently and paced away from the throne. “The scholic morphing bands were not designed to grant a mortal the shape or power of a god,” he snapped. “It’s not possible. However briefly. Some god or goddess from Olympos did those deeds—either Athena or one of our family assuming Athena’s form. Now…choose who will receive the body and blood of my son, Dionysos.”

  “Demeter.”

  Zeus rubbed his short white beard. “Demeter. My sister. Mother to my much-loved Persephone?”

  Hera stood, stepped back, and showed her white hands. “Is there a god on this mount who is not related to you, my husband? I am your sister as well as your wife. At least Demeter has experience giving birth to odd things. And she has little to do these days since there is no grain crop being harvested or sewn by the mortals.”

  “So be it,” said Zeus. To Hephaestus he commanded, “Deliver the flesh of my son to Demeter, tell her it is the will of her lord, Zeus himself, that she eat this flesh and bring my son to life again. Assign three of my Furies to watch over her until this birth is achieved.”

  The god of fire shrugged and dropped the bit of flesh into one of his pouches. “Do you want to see images from Paris’s pyre?”

  “Yes,” said Zeus. He returned to his throne and sat, patting the step that Hera had vacated when she stood.

  She obediently returned and took her place, but did not lay her arm on his leg again.

  Grumbling to himself, Hephaestus walked over to the dog’s head, lifted it by its ears, and carried it to the vision pool. He crouched there at pool’s edge, pulled a curved metal tool from one of his chest-belts, and worried the dog’s left eyeball out of its socket. There was no blood. He pulled the eye free easily, but red, green, and white strands of optic nerve ran back into the empty eye socket, the cords unreeling as the god of fire pulled. When he had two feet of the glistening strands exposed, he pulled yet another tool from his belt and snipped them.

  Pulling mucus and insulation off with his teeth, Hephaestus revealed thin, glittering gold wires within. These he crimped and attached to what looked to be a small metal sphere from one of his pouches. He dropped the eyeball and colored nerve strands into the pool while keeping the sphere next to him.

  Immediately the pool filled with three-dimensional images. Sound surrounded the three gods as it emanated from piezo-electric micro-speakers set into the walls and pillars around them.

  The images from Ilium were from a dog’s point of view—low, many bare knees and bronze shin-guarding greaves.

  “I preferred our old views,” muttered Hera.

  “The moravecs detect and shoot down all our drones, even the fucking insect eyes,” said Hephaestus, still fast-forwarding through Paris’s funeral procession. “We’re lucky to have…”

  “Silence,” commanded Zeus. The word echoed like thunder from the walls. “There. That. Sound.”

  The three watched the last minutes of the funeral rites, including the slaughter of Dionysos by Hector.

  They watched Zeus’s son look right at the dog in the crowd when he said, “Eat me.”

  “You can turn it off,” said Hera when the images were of Hector dropping the torch onto the waiting pyre.

  “No,” said Zeus. “Let it run.”

  A minute later, the Lord of Lightning was off his throne and walking toward the holoview pool with his brow furrowed, eyes furious, and fists clenched. “How dare that mortal Hector call upon Boreas and Zephyr to fan the fires containing a god’s guts and balls and bowels! HOW DARE HE!!”

  Zeus QT’d out of sight and there was a clap of thunder as the air rushed into the hole in the air where the huge god had been a microsecond earlier.

  Hera shook her head. “He watches the ritual murder of his son, Dionysos, easily enough, but flies into a rage when Hector tries to summon the gods of the wind. The Father is losing it, Hephaestus.”

  Her son grunted, reeled in the eyeball, and set it and the metal sphere in a pouch. He put the dog’s head in a larger pouch. “Do you need anything else from me this morning, Daughter of Kronos?”

  She nodded at the dog’s carcass, its belly panel still flopped open. “Take that with you.”

  When her surly son was gone, Hera touched her breast and quantum teleported away from the Great Hall of the Gods.

  No one could QT into Hera’s inner sleeping chamber, not even Hera. Long ago—if her immortal memory still served her, since all memories were suspect these days—she had ordered her son Hephaestus to secure her rooms with his artificer’s skills: forcefields of quantum flux, similar but not identical to those the moravec creatures had used to shield Troy and the Achaean camps from divine intrusion, pulsed within the walls; the door to her chamber was flux-infused reinforced titanium, strong enough to hold even an angered Zeus at bay, and Hephaestus had hung it from quantum doorposts snug and tight, locking it all with a secret bolt of a telepathic password that Hera changed daily.

  She mentally opened that bolt and slipped in, securing the seamless, gleaming metal barrier behind her and moving into the bathing chamber, discarding her gown and flimsy underthings as she went.

  First the ox-eyed Hera drew her bath, which was deep and fed from the purest springs of Olympos ice, heated by Hephaestus’s infernal engines tapping into the core of the old volcano’s warmth. She used the ambrosia first, using it to scrub away all faint stains or shadows of imperfection from her glowing white skin.

  Then the white-armed Hera anointed her eternally adorable and enticing body with a deep olive rub, followed by a redolent oil. It was said on Olympos that the fragrance from this oil, used only by Hera, would stir not only every male divinity within the bronze-floored halls of Zeus, but could and did drift down to earth itself in a perfumed cloud that made unsuspecting mortal men lose their minds in frenzies of longing.

  Then the daughter of mighty Kronos arranged her shining, ambrosial curls along her sharp-cheeked face and dressed in an ambrosial robe that had been made expressly for her by Athena, when the two had been friends so long ago. The gown was wonderfully smooth, with many designs and figures on it, including a wonderful rose brocade worked into the weft by Athena’s fingers and magic loom. Hera pinned this goddess material across her high breasts with a golden brooch, and fastened—just under her breasts—a waistband ornamented with a hundred floating tassels.

  Into the lobes of her carefully pierced ears—just peeking out like pale, shy sea-things from her dark-scented curls—Hera looped her earrings, triple drops of mulberry clusters whose silver glint was guaranteed to cast hooks deep into every male heart.

  Then back over her brow she veiled herself with a sweet, fresh veil made of suspended gold fabric that glinted like sunlight along her rosy cheekbones. Finally she fastened supple sandals under her soft, pale feet, crossing the gold straps up her smooth calves.

  Now, dazzling from head to foot, Hera paused by the reflecting wall at the door to her bath chamber, considered the reflection for a silent moment, and said softly, “You still have it.”

  Then she left her chambers and entered the echoing marble hall, touched her left breast, and quantum teleported away.


  Hera found Aphrodite, goddess of love, walking alone on the grassy south-facing slopes of Mount Olympos. It was just before sunset, the temples and gods’ homes there on the east side of the caldera were limned in light, and Aphrodite had been admiring the gold glow on the Martian ocean to the north as well as on the icefields near the summit of three huge shield volcanoes visible far to the east, toward which Olympos threw its huge shadow for more than two hundred kilometers. The view was slightly blurred because of the usual forcefield around Olympos, which allowed them to breathe and survive and walk in near Earth-normal gravity here so close to the vacuum of space itself above terraformed Mars, and also blurred because of the shimmering aegis that Zeus had set in place around Olympos at the beginning of the war.

  The Hole down there—a circle cut out of Olympos’ shadow, glowing within from a sunset on a different world and filled with lines of busy lights from mortal fires and moving moravec transports—was a reminder of that war.

  “Dear child,” Hera called to the goddess of love, “would you do something for me if I asked, or would you refuse it? Are you still angry at me for helping the Argives these ten mortal years past while you defended your beloved Trojans?”

  “Queen of the Skies,” said Aphrodite, “Beloved of Zeus, ask me anything. I will be eager to obey. Whatever I can do for one so powerful as yourself.”

  The sun had all but set now, casting both goddesses into shadow, but Hera noticed how Aphrodite’s skin and ever-present smile seemed to glow of their own accord. Hera responded sensually to it as a female; she couldn’t imagine how the male gods felt in Aphrodite’s presence, much less the weak-willed mortal men.